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Majority of notes are from ''James Joyce: The Lost Notebook''. This covers the first of a series of notebooks that Joyce used to keep notes for both ''Ulysses'' and ''Finnegan's Wake''.
This page has compiled information on newspapers in ''Ulysses''.


(Work utilized the Critical and Synoptic Edition of ''Ulysses'' (1984), ed. Gabler.)
Majority of these notes are based on ''James Joyce: The Lost Notebook''. That book covers the first of a series of notebooks that Joyce used to keep notes while writing ''Ulysses''.


==Ulysses in Progress==
==Deconstructing Bloomsday==
 
While writing ''Ulysses'', Joyce was living in Zürich, but was still able to recreate 1904 Dublin in its most intricate details. This was not done from memory, but by using a copy he had obtained of Thom's ''Dublin Directory'' for 1904.
 
To determine what regular Dubliners would have done on 16 June 1904 - what they were conversing about, what was going on in the city, what the weather was like - the newspaper is the place to go.


{{Quote|
{{Quote|
Much critical attention has been brought to focus on the manifest change which affected the nature of Ulysses quite late in the course of its development; a change whereby Joyce phased out the so-called 'initial style' (whose best-known feature is the famous interior monologue of both Stephen and Bloom) and introduced in its stead the exploitation of 'style' itself as an integral part of the narrative strategy: in other words, when the information was carried not in the content alone, but also in the form.
Better find out in the paper.
 
- [[Ulysses/Calypso|Calpyso]] 543
}}
}}


===The Two Transitions===
In Zürich, in the midst of a world war, the backlog of Irish newspapers were sparse. Joyce used the more widely disseminated London ''Times'', reading 1904 issues and making notes from them.


Groden (1977) introduced the idea of a transitional middle period  (by chance, coinciding with the "middle period" of the book, [[Ulysses/Wandering Rocks]] through [[Ulysses/Oxen of the Sun]]. These intermediate the extremes of the "initial" and "final" styles.
(Side note: many major and minor themes which permeate the very Irish ''Ulysses'' come from the very English ''Times''.)


In this sense, ''Ulysses'' becomes a mosaic of the changes it underwent from 1914 to 1922.
Theme of newspapers is originally introduced in [[Ulysses/Lotus Eaters]] - Bloom has a copy of the ''Freeman's Journal'' in his side pocket.


Groden's idea is to divide Ulysses into three phases:
Bloom peruses page 1 to:


* First: 1914 to end of 1918
* ascertain the time time of Patrick Dignam's funeral, between [[Ulysses/Calypso]] and [[Ulysses/Lotus Eaters]]
* Seocnd: 1919 to mid -1920
* "idly" read the Plumtree's Potted Meat advertisement, in [[Ulysses/Lotus Eaters]] 144-147
* Third: mid-1920 to 1922
* scan the list of recently deceased ([[Ulysses/Hades]] 157-163)


There is another, equally turning point in the genesis of ''Ulysses'' - one that is readily discernible in the published text - namely, at some point while writing ''Ulysses'', Joyce was no longer writing ''Ulysses'' to be a sequel to ''A Portrait of the Artist as a Young Man''.
Bloom does not peruse the paper any further. Coincidentally, Bloom is a canvasser for advertisements for that newspaper, so it seems odd that it should make no further appearances. However, the reason is likely that Joyce did not have a copy of said newspaper:


This was when Joyce introduced a more grounded, more down-to-earth, less intellectual and abstract character - Leopold Bloom. The change was less a stylistic change, and more a worldview change - from intense, serious, anxious, to resigned, comic, affectionate.
* The deceased were all fictional
* The potted meat advertisement did not appear
* Bantam Lyons, who greedily scanned the sports page, actually "got" the information he had (meaning, Joyce got the information) from the London ''Times'' from the following day


During the 7 years he was composing Ulysses (1914 to 1922), this change coincided with Joyce being in Zürich in 1917.
{{Quote|
...with one exception, no material taken directly from Irish newspapers appeared in the text in progress of ''Ulysses'' prior to June 1919, when Joyce started work on the [[Ulysses/Cyclops|Cyclops]] episode.
}}


===Important Events in the History of Ulysses===
{{Quote|
 
By June 1919, Joyce somehow contrived to get hold of the 16th and 17th June 1904 issues of ''The Irish Independent''. Clusters of notes taken directly from these newspapers appear on [[Ulysses/Cyclops|Cyclops]] notesheets 3, 4, and 7 (Herring 1972). The argumentative "Cyclops" episode, oddy enough, is the most newspaper-like episode in ''Ulysses'' in that huge tracts of it were taken directly from real newspapers: not only from ''The Irish Independent'' but, to an even greater extent, from ''The Times''. The Citizen's cynical asides about ''The Times'' are therefore somewhat ironic, as his fictive existence is at least partly due to excerpts from it.
1906:
}}
* Joyce, living in Rome, entertains notion of writing a short story to be called "Ulysses"
* The story is based on an incident when a putative Dublin Jew (Alfred Hunter) had picked him up inebriated out of a gutter somewhere in the metropolis
* in orthodox Samaritan fashion, he had taken Joyce home with him and generally bucked him up with a restorative cup of cocoa or something
 
1914-1915:
* Joyce began writing Ulysses as a "sequel" to ''Portrait''
* Tenuous connection to the Odyssey - Stephen acts out an intellectual Telemachus, his mother plays a not very convincing Penelope, Mulligan and Haines the baleful suitors
* Martello Tower becomes Ithaca
* Joyce was experimenting with a lukewarm correspondence with the Homeric prototype, different from the final shape (which was dominated by it)
* Joyce had not decided what to do with the Hunter character, what to make of him
* Vague idea to have him rescue Stephen from predations of usurpers, restore him as prince
* This concept of ''Ulysses'' as ''Portrait'' sequel was consistent with how Joyce described the work in letters from 1915


October 1916:
The last of the newspapers - the pink edition - is ''The Evening Telegraph'' spoting extra. Earliest recorded apperance in the text-in-progress of ''Ulysses'' was in 1920 in [[Ulysses/Eumaeus]]. In the episode, both Bloom and Stephen read it, and the contents are accurate, suggesting Joyce had a copy of it.
* Joyce had written versions of Telemachus, Nestor, Proteus, Hamlet (Scylla and Charybdis), Eumaeus (brief sketch) - the Stephen-oriented episodes
* "As he wrote principally out of his own character and experience, he had, in short, to invent himself anew."
* Around this time he had what his physician described as a nervous breakdown
* He embarked on a course of research - starting with the Greek language
* compiling loose sheets, small notebooks, with lists of words/short sentences
* transcribed bits and pieces from newspaper reports, simple business letters, examined aspects of grammar,
* (was this how he taught English to students?)
* latest entry is dated April 1917
* the Greek is modern, but clear that intent was to facilitate study of the Odyssey
* transliterate Homeric quotations, ideas about mistranslations


April 1917
The report on the funeral of Patrick Dignam was not in the real issue of ''The Evening Telegraph'', but the funeral was based on the 13 July 1904 funeral of Mr. Mat Kane, attended (according to ''The Evening Telegraph'' report) by Alfred Hunter, John Joyce, James Joyce, Joyn Wyse Power, J. H. Menton, Alfred Bergin, Adam Findlater, Daneil O'Connell, Geo. Washington, and -- Crokakley. (The Croakely name is a pseudonymous name, like the --M'Intosh of [[Ulysses/Hades]].)
* Anonymous benefactor, paying 50 pounds quarterly, (ended up being Harriet Waver)
* impeccable timing - cash in his pocket, assurance of more, freedom transformed him
* "Much of what we have come to know and love about ''Ulysses'', we contend, has its source in that happy event."
* Joyce's change in circumstances, coupled with realization through his studies that Homeric myths could lbe viewed as concerning real men in real times
* Joyce prepared to reconstruct the real Dublin on a real day - Thursday, 16 June 1904
* For this purpose, he began to assemble specific material about that day and about the everyday language spoken on the street at that time
* In contrast to Stephen, who lives in melancholy limbo, Joyce wanted to create a world for Leopold Bloom to live in


==Fragments for Proteus==
The account of the Gold Cup race read out in [[Ulysses/Eumaeus]] 1276-1289, which Bloom reads, is from page 3 of the ''Telegraph''. There are several elements from the account, however, that come from the more dramatic ''Times'' account.


{{Quote|
A short list of the many items from ''The Times'' utilized in ''Ulysses'' would include:
It is of interest to record here thatJoyce went to Marsh's Library in Dublin on the 22nd and 23rd October, 1902,shortly before departing for the libraries and the cheaper eating-places of Paris, and that he signed his name in the visitor's book (McCarthy, 1980). The particular scholastic tome which he fingerpondered is still there today; it is part of the Bouhéreau Collection and boasts the sesquipedalian title of ''Vaticinia, sine Prophetiae Abbatis Joachimi & Anselmi Episcopi Marsicani, cum adnotationibus Paschalini Regiselmi, Latine et Italice'', printed in Venice in 1589.
}}


* The Ascot Gold Cup and related horse races (a major theme)
* The Gordon-Bennett motorcar race (reference to the same race as "After the Race")
* Cricket (minor)
* The General Slocum disaster
* In [[Ulysses/Cyclops]]: the lively adventures of Alake of Abeokuta, the matter of the Royal Hungarian Lottery, the scandal of Corporal Punishment in the Royal Navy, etc.
* The Reverend John Alexander Dowie
* The visit of the Lord Lieutenant to open the Mirus Bazaar in aid of Mercer's Hospital
* Diverse small facts sprinkled throughout the text




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- Danis Rose, John O'Hanlon / July 4, 1989
- Danis Rose, John O'Hanlon / July 4, 1989
}}
}}





Latest revision as of 22:12, 6 March 2022

This page has compiled information on newspapers in Ulysses.

Majority of these notes are based on James Joyce: The Lost Notebook. That book covers the first of a series of notebooks that Joyce used to keep notes while writing Ulysses.

Deconstructing Bloomsday

While writing Ulysses, Joyce was living in Zürich, but was still able to recreate 1904 Dublin in its most intricate details. This was not done from memory, but by using a copy he had obtained of Thom's Dublin Directory for 1904.

To determine what regular Dubliners would have done on 16 June 1904 - what they were conversing about, what was going on in the city, what the weather was like - the newspaper is the place to go.


Better find out in the paper.

- Calpyso 543


In Zürich, in the midst of a world war, the backlog of Irish newspapers were sparse. Joyce used the more widely disseminated London Times, reading 1904 issues and making notes from them.

(Side note: many major and minor themes which permeate the very Irish Ulysses come from the very English Times.)

Theme of newspapers is originally introduced in Ulysses/Lotus Eaters - Bloom has a copy of the Freeman's Journal in his side pocket.

Bloom peruses page 1 to:

Bloom does not peruse the paper any further. Coincidentally, Bloom is a canvasser for advertisements for that newspaper, so it seems odd that it should make no further appearances. However, the reason is likely that Joyce did not have a copy of said newspaper:

  • The deceased were all fictional
  • The potted meat advertisement did not appear
  • Bantam Lyons, who greedily scanned the sports page, actually "got" the information he had (meaning, Joyce got the information) from the London Times from the following day


...with one exception, no material taken directly from Irish newspapers appeared in the text in progress of Ulysses prior to June 1919, when Joyce started work on the Cyclops episode.



By June 1919, Joyce somehow contrived to get hold of the 16th and 17th June 1904 issues of The Irish Independent. Clusters of notes taken directly from these newspapers appear on Cyclops notesheets 3, 4, and 7 (Herring 1972). The argumentative "Cyclops" episode, oddy enough, is the most newspaper-like episode in Ulysses in that huge tracts of it were taken directly from real newspapers: not only from The Irish Independent but, to an even greater extent, from The Times. The Citizen's cynical asides about The Times are therefore somewhat ironic, as his fictive existence is at least partly due to excerpts from it.


The last of the newspapers - the pink edition - is The Evening Telegraph spoting extra. Earliest recorded apperance in the text-in-progress of Ulysses was in 1920 in Ulysses/Eumaeus. In the episode, both Bloom and Stephen read it, and the contents are accurate, suggesting Joyce had a copy of it.

The report on the funeral of Patrick Dignam was not in the real issue of The Evening Telegraph, but the funeral was based on the 13 July 1904 funeral of Mr. Mat Kane, attended (according to The Evening Telegraph report) by Alfred Hunter, John Joyce, James Joyce, Joyn Wyse Power, J. H. Menton, Alfred Bergin, Adam Findlater, Daneil O'Connell, Geo. Washington, and -- Crokakley. (The Croakely name is a pseudonymous name, like the --M'Intosh of Ulysses/Hades.)

The account of the Gold Cup race read out in Ulysses/Eumaeus 1276-1289, which Bloom reads, is from page 3 of the Telegraph. There are several elements from the account, however, that come from the more dramatic Times account.

A short list of the many items from The Times utilized in Ulysses would include:

  • The Ascot Gold Cup and related horse races (a major theme)
  • The Gordon-Bennett motorcar race (reference to the same race as "After the Race")
  • Cricket (minor)
  • The General Slocum disaster
  • In Ulysses/Cyclops: the lively adventures of Alake of Abeokuta, the matter of the Royal Hungarian Lottery, the scandal of Corporal Punishment in the Royal Navy, etc.
  • The Reverend John Alexander Dowie
  • The visit of the Lord Lieutenant to open the Mirus Bazaar in aid of Mercer's Hospital
  • Diverse small facts sprinkled throughout the text





Joyce must have had his copy of the June 17, 1904 Irish Independent to hand by, at the latest, not June, but rather February 1919, at which time he was completing (by dictation to Frank Budgen) the (Rosenbach) faircopy of "Wandering Rocks."

Scholarly and sensitive readers of that estimable episode will be pleased to learn that the description there of the onset of the now imfamous bicycle race is a rendering, hardly altered (apart from Mr. Budgen's idiosyncratic orthography), of the account of the conclusion of the same as it appeared in the said newspaper and no other. The Irish Times omitted J. B. Jones; the Evening Telegraph omitted W. C. Huggard but included a J. J. Comyn, and so on...

...It may be a coincidence but, on the (microfilmed) copy in the National Library of Ireland that we consulted, there is a mark (bitched type?) just above the "n" of Jones which makes it appear to the casual or, perhaps, weak eye as "Joffes", which, spoken aloud, may have occasioned Mr. Budgen's "Joffs", later altered by Joyce to "Jeffs".

- Danis Rose, John O'Hanlon / July 4, 1989