From charlesreid1

Chapter 6: Digital Modes

Section 6.1: Intro to Digital Modes

Where to find digital:

  • digital modes restricted to CW/data band allocation
  • Calling frequencies are at lowest end, move up with activity
  • On 20 m: PSK31 at 14.070 MHz, RTTY and other modes above that
  • Table: Bands vs Frequency Ranges
  • For the exam:
    • 20 m segment for digital:
      • 14.070 - 14.100 MHz
    • 20 m segment for PSK31: below RTTY segment, near 14.070 MHz
    • 80 m segment for digital: 3.570 - 3.600 MHz
    • 40 m segment for digital: 7.070 - 7.125 MHz
  • Digital modes regulated as voice emissions by FCC
  • Maximum bandwidth and data rates set by FCC to limit signal bandwidth
  • Digital codes must be publicly specified and must comply with bandwidth/signal rate restrictions
  • Rules may change to be based on bandwidth

Digital modes:

  • RTTY - popular, mechanical teleprinters
  • PSK31 - narrow bandwidth, weak signal, cheap hardware
  • PACTOR - packet teletype over radio, improvement on RTTY, data transmitted as packets, PACTOR is proprietary mode
  • Packet radio - common on VHF/UHF, not as common on HF due to higher error rates/sensitivity to noise
  • Miscellaneous other modes:
    • MFSK16, GTOR, JT9, JT65, CLOVER, ALE, WSPR

Section 6.1: Summary

  • 20 m band segment used for digital modes is 14.070 - 14.100
  • The band segment on 80 m used for digital modes is 3.570 - 3.600 MHz
  • The 20 m segment with PSK31 operations is below RTTY, around 14.070 MHz
  • The communication system that sometimes uses the internet to transfer messages is WINLINK
  • The digital mode that is designed to operate at extremely low signal levels is JT9 and JT65

Section 6.1 Summary

Definitions:

  • Air link - the part of the communication system involving RX/TX of radio signals
  • Bit - 0 and 1, fundamental unit of data
  • Bit rate - number of bits per second sent between 2 computers
  • Baud - number of symbols per second
  • Duty cycle - ratio of time spent transmitting to total time on/offline
  • Protocol - rules controlling the data exchange method
  • Mode - combination of protocol and modulation method
  • Modem - translates bits into tones and back again

Bit rate vs baud rate:

  • Modern modems can use complex audio signals to encode multiple pieces of information into single character
  • As more information is packed into characters, the bit rate becomes faster than the baud rate
  • Digital mode combines protocol (how information and characters are encoded) with modulation method
  • OOK = on/off keying
  • FSK = frequency shift keying
  • PSK = phase shift keying
  • I/Q = 2 phase-shifted AM signals

Frequency shift keying FSK:

  • Bits of data encoded as tones; tone frequencies are represented by different bits
  • Two-tone FSK signal: "mark" and "space"
  • True, direct FSK: digital data controls VFO
  • AFSK = audio frequency shift keying - convenient, uses mic/SSB, but prone to distortion
  • More symbols means more frequencies means more time to differentiate between signals

Phase shift keying PSK:

  • data is encoded as phase relationship between tones
  • Rapid changes in phase sound like buzzing

Section 6.2: Summary

  • An FSK signal is generated by changing an oscillator's frequency directly with a digital control signal

Section 6.3: Character Based Modes

RTTY:

  • RTTY - oldest, most popular, narrow band
  • RTTY uses baudot code - 5 bits per character
  • Stop/start bits to sync transmission
  • 5 bits = 2^5 = 32 characters
  • Letters and figures codes to get 62+2 characters
  • Standard mark/space frequencies are 2125 Hz (mark), 2295 Hz (space)
  • Difference between mark and space tones is called shift
  • HF, most common speeds are 60, 75, 100 WPM corresponding to 45, 56, 75 baud
  • Most conversations on HF are 45 baud, most common shift is 170 Hz

MFSK:

  • MFSK - multiple-frequency shift keying, uses more than two tones to encode data
  • MFSK16 - uses 16 separate tones, all 15.625 Hz apart
  • This allows entire signal to be received with a 500 Hz CW filter
  • Thru signal shaping and tone control, can sustain contacts through fading and distortion better than two-tone signals

DominoEX:

  • DominoEX - modification of MFSK, uses differences betweeen successive tones
  • Less sensitive to tuning error sand drift
  • Data rates go from 4 baud to 21.5 baud, bandwidths up to 524 Hz

OLIVIA:

  • wider bandwidth MFSK mode, 125-1000 Hz bandwidth, variable number of tones
  • Uses forward error correction, can be used at low signal levels

Others:

  • MT63: Multi-tone, data has 64 tones, advanced DSP techniques allow it to perform well under noisy conditions
  • PSK31: Phase shift keying, 31 is the symbol rate (31.25 baud)
    • Variable-length character codes (like Morse code)
    • PSK63 at 63.5 baud also popular
    • Very narrow bandwidth, so usually close to calling frequency
  • PSK31 sends single tone, reversals of phase sent at regular intervals
  • Reversal = 0, no reversal = 1
  • 1 symbol = 2 transmission intervals


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